"European Network for Baroque Cultural Heritage" (ENBaCH)
The project concerns and involves a network of eight Universities located in 6 different European countries: Universitat de Barcelona, Technische Universität Dresden, Ernst-Moritz-Arndt-Universität Greifswald, Ecole des Hautes Etudes en Sciences Sociales - Paris, La Sapienza Università di Roma, Università di Teramo, Uniwersytet Warszawski, Medizinische Universität Wien. After the 5 year period of support provided by the Culture program, ENBaCH aims at achieving permanent status and financial independence.
ENBaCH Subproject Greifswald/Kiel
The Ernst-Moritz-Arndt-University of Greifswald and its associated partner, the Christian-Albrechts-University of Kiel, are concerned with the documentation and socio-historical interpretation of the baroque cultural heritage in the Southern Baltic Sea region and the dissemination of the results to a broad audience. Since the start of the project, the major focus lay on the cataloguing of baroque sacral and secular architecture in contemporary Southern Denmark, Northern Germany, Northern Poland, Kaliningrad and the Baltic states via extensive archive and literature research as well as field studies. So far, tourist circuits for selected cities and areas in Northern Germany have been designed. Also, a database that systematically brings together the collected information has been compiled. This database forms the basis for the development of an "Atlas of the Baroque Cultural Heritage" which will combine innovative ways of mapping baroque architecture with in-depth historical analysis of cultural and artistic exchange processes.
General Information
Historical Atlas
A Historical Atlas of 17th century sites will show the spreading of social phenomena through a sequence of historical maps. The Atlas will especially focus on the diffusion of Baroque culture (architecture, libraries, art, literature) across the Baltic Sea, considered as an outstanding example for the spreading of Baroque culture from the South and Southwest to the North of Europe.
Organizer: University of Greifswald
Historical Atlas
Baroque culture across the Baltic Sea
(provisional)
Tourist circuits - "Baroque" North Germany and the Southern Baltic Sea (6/21/2010)
Organizer: University of Greifswald
"Baroque" North Germany and the Southern Baltic Sea: it will offer the opportunity of highlighting the rich seventeenth-century heritage of the entire region. It will contribute to enhancing trans-national tourism, which is of great importance especially for the less industrialized regions such as Pomerania, Northern Poland and the Baltic States. At first, computer-animated virtual sightseeing-tours will be developed displaying not only former historical sites, but simultaneously offering an insight into the life of former times. In a second step, a real tourist circuit will be created around the Southern Baltic Sea region. A "Route of the Northern European Baroque" will be interlinked with the already existing tourist circuits and other circuits to be created by ENBaCH.
Rome 22-23 October 2009
ENBaCH Kick-off Conference
II ENBaCH PARTNERSHIP MEETING – Barcelona, 5-6 November 2010
ENBaCH mid-term workshop in Warsaw – 27-28 June 2011
ENBaCH Workshop at Kiel, 20-21 January 2012
International Conference hosted at the “Josephinum”, Vienna,
26-29 September 2012
Allgemeine Geschichte der Neuzeit
Prof. Dr. phil. Michael North
Rubenowstraße 2
17487 Greifswald
Tel.: +49 (0)3834 86-3308/-3309
Fax: +49 (0)3834 86-3333
north@uni-greifswald.de
Freitag, 12. April 2013, 10 Uhr c.t.
Veranstaltungsort: Audimax, HS 5
Öffentlicher Vortrag.
Der Eintritt ist frei.
Thomas DaCosta Kaufmann is Frederick Marquand Professor
of Art and Archaeology at Princeton University. He has
published many books and articles, including Court, Cloister
and City: The Art and Culture of Central Europe 1450–1800
(Chicago and London 1995); Toward a Geography of Art
(Chicago and London 2004), and Time and Place: Essays in
the Geohistory of Art (ed. with Elizabeth Pilliod; Ashgate 2005);
(Ost-)Mitteleuropa als Kunstgeschichtsregion? (Leipzig 2006),
and Arcimboldo: Visual Jokes, Natural History, and Still-Life
Painting (Chicago 2009). He is now working on questions of
global exchange in art, and world art history.



